PERMANENT COLLECTION The Gadsden Arts Center has several outstanding works of art on permanent loan or as part of the permanent collection. The Center is in the process of expanding the collection through the generous donations of local art colletors.
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Richard Burnside The King Suffering, n.d. collage on wood, 23.5” x 21” Gift of Lou and Calynne Hill, December 2009 2009.1.17 The King Suffering depicts the floating head of a red-faced King with a yellow crown that is centered on a dark brown background surrounded by white symbols. These lines are arranged in a partly symmetrical pattern, each containing red, yellow and black dots. The face is the only relief image, created from a thick paper, painted, and attached to the plywood. Richard Burnside was born in 1944 and grew up in South Carolina, and after a brief stint in the military, moved back to the state. The artist began painting in his mid 30s because he was plagued by night visions of ancient times. His most common subjects are ancient kings and queens, jungle cats, and white wolves. His figures often have flat, round, mask-like faces executed in heavy outline and bright colors against dark backgrounds. Around his figures Burnside paints symbols and patterns that recall aboriginal designs, African needlework, and 1950s expressionists from Cologne, Brussels, and Amsterdam.
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Works on Loan:
Florida Shirt Leo McMillan mixed media On loan from the artist
This large-scale mixed media sculpture represents all things associated with the state of Florida, included dolphins, oranges, flamingos, NASA, snakes, alligators, and more while posing as a “Florida Shirt”. Artist Leo McMillan teaches 3D Design and Art Tools and Techniques at Florida State University and has maintained a professional art studio for thirty years. He is a past recipient of an Individual Artists Fellowship from the State of Florida and was one of three artists chosen statewide to design a monumental sculpture for the front of the State Capitol. Currently, McMillan resides in Quincy, and sits on the Gadsden Arts Center Exhibition Committee.
Ichiboku Sculptures: Natabori, Mongaku, Yama Uba Mark Lindquist wood On loan from the artist
Mark Lindquist has been an innovator and leader in the field of woodturning/sculpture since the late 1960s. Lindquist's thirty-plus years of contributions to contemporary art have altered the direction of woodturning and sculpture worldwide. Through exhibiting, writing and teaching, Lindquist was instrumental in bringing about the acceptance of the craft of woodturning as a serious art form, and inspired and nurtured the followers of this fledgling movement. Mark Lindquist's sculpture has evolved out of his art historical studies and his mastery of, and experimentation with, the craft of woodturning. Beginning in the late 1960s, he developed many of the techniques and aesthetic concepts which underlie the current studio woodturning movement, including the use of flawed materials (especially spalted wood), the application of modern abrasive technology, and the integration of Japanese ceramic sensibilities.
These sculptures are from one of Lindquist’s several series of sculpted wood. Ichiboku, literally "one tree," is a type of Japanese sculpture made from a single block of wood. This technique flourished in the ninth century when a spirit of religious revivalism prevailed, and the spirit of the tree was invoked to lend strength to the image carved from it.
Lindquist’s works have been exhibited in galleries and museums throughout the world, and have been acquired by prestigious museums such as the National Museum of American Art of the Smithsonian, the Art Institute of Chicago, the White House Collection of American Craft, the Boston Museum of Fine Arts, the Philadelphia Museum of Art, the High Museum in Atlanta, and numerous other public and private collections.
In September of 2010, the Gadsden Arts Center will host and exhibition that explores the 40-year evolution of Lindquist’s work, from wood vessels and furniture to large-scale totems to abstract photography.
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